question everything, be attached to nothing

One thing I've learned recently is that, when you're writing a story, you have to question every single word you put in it, every character's action, every piece of exposition. Everything has to make sense. Just because you can create people and plots with your words doesn't mean people have to believe them.

Several people told me they didn't "buy" pieces of my first story. I didn't understand why they were questioning my characters' motives...the characters just did what they did because. But now I'm realizing...because what? Because I, their all-powerful creator, said so? Characters need to be treated as real people, not puppets on strings. Now when I write, I question everything I make a character do. Why would he do this? Does this really make sense? Would this happen in real life? Is this how she would react? 

I'm working on a new story for fiction, and I've already rewritten it once. Draft One was nine pages of, as one of my peer editors put it, character development, but nothing really happened. After my peer editing meeting, I suddenly had an idea that involved one of my characters from Draft One. I sat down at a computer and had a brand new story within twenty-four hours. My first draft, though I liked it, just couldn't compare, so I scrapped it.

That's the second lesson I've learned: don't become too attached to any story, character, detail...it may have to be cut in order to better your writing. These two lessons have already made me a better writer, and the semester isn't over yet!

Workshop 2: rewrites that need to be unwritten

My story went up for workshop again yesterday. We were a day ahead of the other fiction class, so my professor offered the option to workshop rewrites. I volunteered, wanting opinions on the changes I'd made to my last draft.

Yikes. Apparently some of those changes didn't go over so well, and in my effort to provide more information about some of the characters (that was lacking in the first draft), my story turned into one big flashback. Some people still don't buy certain characters, which is good to know, but I was a little frustrated that they weren't more specific as to why they don't understand them. I have an entire stack of critique letters, and none of them mention the believability of the characters. I was a little bummed about it, not because they gave me criticism, but because I thought I was closer to having a solid draft, and now I realize I've moved farther and farther away from it.

Now it's back to the blank Word document again. I'm doing a complete rewrite this time, keeping the same plot and characters but changing the structure. I promise you guys will be able to read this at some point! Maybe once I'm happy with it, I'll post it on here.